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Lars is still an asshole, and his line to Carmel, “Get yourself a vibrator, let off some steam,” does deserve to get him choked out. But notice how certain lines are being redrawn at that breakfast. A little mindfulness and then a little playfulness - and almost immediately, the group rebels against the idea of being denied food for most of the day and then being forced to traipse into the wilderness. The day’s plan goes like this: smoothies (of course), meditation, a potato-sack race, a long hike, and 11 hours of fasting. Nevertheless, it seems as though Delilah goes along with Yao in presenting the “new protocol” to the guests. No negligence,” Masha says brusquely, but Delilah’s response is just as valid: “That’s doesn’t mean they’re over it.” Delilah still isn’t entirely convinced about Masha’s methods, and I think the dissent in the ranks is obviously highlighted as a subplot to watch. Their conversation clues us in on a few things: that some people are unhappy with what they’re doing at Tranquillum House, including the family of a man named Connelly who was injured - or maybe died? - while staying there. (Did that scene look very green-screen-y to anyone else?) Masha’s idyllic morning of swimming and goat petting is interrupted by more threatening texts (including one later in the day that reveals she’s being watched and followed), so she finally loops in Yao and Delilah. I’m sorry to have doubted you, Michael Shannon! Remember that time The Shape of Water won Best Picture at the 90th Academy Awards and you were watching the ceremony from a Chicago bar because you had theatrical obligations that you refused to break? That was nice.Īnyway, back to Australia standing in for California! It’s the group’s third day, and Masha begins by diving off a waterfall into a river. “Earth Day” changes that with a Shannon monologue that feels drawn from the same deep well of fury, sorrow, and disgust that has fueled the actor’s most shattering performances: in Revolutionary Road, Take Shelter, and 99 Homes. In the first two episodes of Nine Perfect Strangers, his performance as Napoleon Marconi was well balanced enough - overexuberant, concerned, obviously grieving - but it didn’t quite feel like Michael Shannon, either.
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Hear me out: I had read Liane Moriarty’s novel, and I thought it was a little pulpy and a little less demanding than Shannon’s usual TV fare ( Boardwalk Empire, Waco, The Little Drummer Girl) he didn’t seem to fit in this woo-woo resort location. Album DescriptionI was surprised when Michael Shannon signed on to Nine Perfect Strangers. See More Your browser does not support the audio element. Still, those not interested in the man's so-called serious music should steer clear of it. Compared to the London Symphony Orchestra sessions, The Perfect Stranger is a much stronger album with a better, rehearsed ensemble. The composer remixed the album in 1992 and a moved a couple of tracks around. "Outside Now, Again" and "Jonestown" are among the darkest, moodiest pieces of computer music the man has written. The remaining four tracks are credited to "The Barking Pumpkin Digital Gratification Consort" - i.e., Zappa's Synclavier, a keyboard computer. "Naval Aviation in Art?" and "Dupree's Paradise," the latter an old rock piece from 1973 rearranged for orchestra, are also performed by Boulez' ensemble.
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The title track was commissioned by Boulez, and sees the composer coming back to the days of 200 Motels, both in terms of style (the music is very programmatic) and references (at the center of the piece is the vacuum cleaner found in the aforementioned movie and in the cover artwork of the album Chunga's Revenge). Late in his career, he found such a group of musicians, the Ensemble Modern (which recorded The Yellow Shark), but in the mid-'80s Pierre Boulez' Ensemble InterContemporain recorded a worthy session of material, released in August 1984 on EMI's classical imprint, Angel, as The Perfect Stranger. Buy the album Starting at £8.99įrank Zappa often complained about how difficult it was to find a classical orchestra that would actually take the time to learn the scores it is presented and try its best to do a honorable job when it comes to contemporary composition.
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